st-pat

Celebrating feast of St. Patrick: Booze 1, snakes 0

Today, everybody’s a little bit Irish. And the people who are normally just a little bit Irish are wearing Notre Dame shirts and getting into fistfights. It’s St. Patty’s Day, and the bars are enticing us all with green beer and playing Flogging Molly and Riverdance on the speakers. But who was St. Patrick, and why do we celebrate his day by getting sloshed?

Next to St. Nicholas, St. Patrick is probably the most widely known person with a St. in front of his (or her) name, though he was never formally canonized by any pope. Patrick, or Padraig in Irish, is based on the Latin word patricius, which simply means “father.” He was born Maewyn Succat in Scotland in the fourth century, though it’s hard to pinpoint anything more specifically. He was kidnapped by Irish pirates as a teenager (seriously), and brought to Ireland as a slave. At the supposed urging of God, he escaped captivity and ran 200 miles to a port with a ship bound for England.

Patrick joined the priesthood and then went right back to Ireland to become bishop of Armagh. He was famed for using the Irish weed, the shamrock, to explain the concept of the Christian trinity: one God with three distinct entities. Such a teaching would have resonated with pagan Irish, who already revered the shamrock and had a few models of three-in-one deities, such as the Morrígna of Macha, Anann, and The Morrígan. After many years trying to convert the Irish amid hostile conditions, Patrick, friendless and generally disliked, died March 17, supposedly, of an unknown year.

His legacy, however, did not. Early writings after Patrick’s time referred to him as a warrior priest who carved out converts from the pagan druids (though there is no real evidence of this) and established the highest moral virtues in great lords and ladies. Many accounts blur the line between Patrick and one or two other church representatives in Ireland at or near the same time. Regardless, Ireland became a Catholic country through and through, and Patrick was given the credit.

Stories about Patrick include how he prayed all the snakes away (though evidence would indicate there were never any snakes in Ireland in the first place) and that he once took so long giving a sermon that a staff he planted in the ground at the beginning grew into a tree by the end. He is a revered figure throughout Ireland, swept up in the cultural and religious identity of the island, and his feast day, the purported day of his death, is celebrated by breaking the Lenten fast and indulging in a little booze. So remember that you’re in mourning when you’re chugging green (or otherwise) beer tonight.

Now let’s talk a little bit about that booze. If you’re drinking beer (Old English beor, probably borrowed from Latin biber, “to drink”; or derived from Proto-Germanic beuwo, “barley”), go for Guinness in Ireland’s honor. Our “Modern Urban Gentleman” has already given a nice primer about the drink, but allow me to expand a bit.

Beer is made from malted grains (malting is the process of soaking grains in water and then heating them up rapidly, to turn the starch into soluble sugars) left to ferment (yeast eats at the sugar and poops alcohol). Most all beer today contains hops, for the bitter flavoring and as a preservative. Initially, the term “ale” (Proto-Indo European alu, “sorcery, possession, intoxication”) was used to mean “beer without hops,” but by the 18th century, they all used hops, and the term “ale” came to mean “beer brewed in the country” as opposed to in town. (Today, “ale” is specific to beer produced through top-fermenting yeast, versus bottom-fermented “lager.”)

Beer is one of the building blocks of civilization, indirectly responsible for every technological advancement from farming to refrigeration. The drink’s economic value throughout history cannot be overstated. Need something made cheaply that can serve as food, medicine, and suppression of rebellious inclinations for the masses? Look no further!

The first beer was probably brewed sometime around 9500 B.C, along with the introduction of cereal (Latin cerealis, “of Ceres,” the Roman goddess of harvest and agriculture). One of the earliest recipes for beer comes from the Sumerian religion, where Ninkasi, the goddess of beer, had her own hymn which essentially laid out how to make the stuff in an easy to remember, spoken litany. Beer came to Ireland around 3000 B.C., and might well have been brewed with a little bit of opiate in the mix, against pharmaceutical advice.

What’s the other Irish drink? Oh, right. Whiskey! Everyone but the Americans and the Irish spell it “whisky” (Gaelic uisce beatha, “water of life,” as Latin aqua vitae). Jameson and Bushmills are the go-to choices, while the Modern Urban Gentleman recommends Redbreast. Distilled spirits haven’t had nearly the storied history of beer (or wine). Distillation as a practice — that is: boiling out the different parts of a chemical solution, in this case to get all the alcohol into one container — may be only as old as about the 13th century, where it was done in Italy. Back then, these beverages were largely made in monasteries and used as medicinal anesthetic and antiseptic. Think rubbing alcohol. It didn’t take long to become recreation, however.

Beer and wine can only reach alcohol levels of about 20 percent, maximum, before the yeast starts to die off faster than it poops. Distilled liquor (from Latin liquere, “to be liquid”), made of barley (whiskey), potatoes (vodka), sugarcane (rum), wine (brandy), and other produce, can get much more alcoholic than that.

A brief side note about the nomenclature for alcohol levels, because it’s interesting: We typically use ABV — alcohol by volume — these days, because it’s useful and easy. However, you may have heard the term “proof” to refer to this as well. The term comes from 18th-century British naval convention, when sailors might have been paid in rum. In order to determine that the bottles were alcoholic “enough,” some of the liquor was set afire. If it burned, meaning it was at least 57 percent (four-sevenths) alcoholic, it was “proved.” Therefore, 100 proof meant four parts alcohol per seven. Since then, the term has gone out of fashion everywhere except the United States, where we use it, largely for style purposes, to mean twice the alcohol percentage (i.e. 80 proof means 40 percent ABV).

So, no matter what you’re drinking tonight, remember to be safe, raise a glass to the departed, and keep away from snakes!

moon

Worm Moon reigns over tonight’s sky

Have you ever heard the wolf cry to the blue corn moon? And what the hell is a blue corn moon?

Today is a good day to think about the moon. At 1:11 p.m. EDT, the sun and moon reached opposite points in the sky — what we call the full moon. Of course, you couldn’t tell that because, at 1 in the afternoon, the sun was up and the moon was not. But you may notice the full moon rising in this evening’s eastern sky, just after the sun sets in the west.

We think of that as the normal order of things: each evening, the sun sets and the moon rises. But in truth, that only comes close to occurring for three or four nights in a row per lunar cycle (that is, per month or so). The reality is that the moon rises somewhere around 40 to 60 minutes later each day. After two weeks or so, the moonrise catches up with the sunrise and we experience a new moon, the next due on March 30.

If you think a bit deeper about this, it makes perfect sense. Tonight, the moon will appear full because the sun is able to shine on the full surface of the moon facing the Earth. That can only happen when the moon is opposite the sun in the sky — or, more scientifically, when the Earth is positioned between the sun and the moon. And even though we think of the full moon as a nightlong event, there is only one brief moment — 1:11 p.m. EDT this time — when the moon is 100 percent full; by tonight, it will already be less than full.

As the moon rises later each day, the sun, moon, and Earth move out of alignment, causing earthlings to see more and more of the unilluminated side of the moon, leading to the progressively smaller-appearing, or waning, crescent moon. About one week after full, you won’t see the moon in the evening because it won’t rise until the middle of the night, as the half-illuminated last quarter moon.

A week later, the moon will seem to disappear from the sky altogether. It will rise in the morning and be completely in shadow because it is between the Earth and sun — the new moon.

In the days that follow that, you’ll start to see the waxing crescent setting just after the sun in the western sky. By week three, the first quarter moon will rise mid-afternoon, be half-illuminated overhead at sunset, and fall below the horizon in the middle of the night. Finally, the cycle repeats with the next full moon.

In the days before hunky firefighters gracing the pages of commercially produced calendars, people looked to the moon cycles, in tandem with the length of the day, to plan their migrations, hunts, and farming. Many cultures named each full moon to reflect seasonal associations. Without trespassing too much into Lingwizardy territory, I’ll give one example: the full moon closest the spring equinox — the full moon we in the Northern Hemisphere are experiencing today — has been called the Worm Moon by some peoples because it is around the time when earthworms begin to reemerge from the thawing ground. The full list of moon names is interesting; check it out here.

The lunar cycle is 29.53 days long, as compared to most of our calendar months being 30 or 31 days. As a result, there are sometimes 13 full moons in a year; by necessity, at least one month in those years will have two full moons. Many folks understand this quirk is called a blue moon. (So “once in a blue moon” isn’t all that uncommon; it happens seven times every 19 years!) The traditional definition of a blue moon is actually a bit different: it refers to the third of four full moons in a single season (as opposed to the standard one-per-month, three-per-season).

Now we can answer the great question of Pocahontas. Native Americans named the full moon nearest the autumnal equinox the Corn Moon because it is when the corn was ready to be picked; this is what we still today call the Harvest Moon. So, it stands to reason that the “blue corn moon” would be when the Corn Moon also happened to be a blue moon, right?

Unfortunately, no. For one thing, the Corn Moon, being the one closest to the autumnal equinox, could never be the third of four in the season. For another, songwriter Stephen Schwartz explained that he made up the phrase because he liked the sound of it:

In preparation for doing the lyrics to Pocahontas, I read a lot of Native American poetry. One of the phrases I came across, in a love poem, was: “I will come to you in the moon of green corn.” The phrase stuck in my head, but I didn’t think the lyric: “Have you ever heard the wolf cry to the green corn moon” really worked, because of the association of the moon and green cheese, plus the “ee” sound in it, etc. So I changed it to blue corn moon, which I thought had a nice resonance to it because of the phrase “blue moon”…

In other words, Walt Disney misled us. Next thing you know, we’ll discover not all girls can be princesses and animals don’t speak English. But thanks to this primer on lunar cycles, you’ll still be able to impress all your friends at parties.

arkham

Arkham Knight release puts Batman back in black

Rocksteady Studios debuted the first trailer for its new game Batman: Arkham Knight last Tuesday. By Internet standards, the video is old news. Since fans have had over a week to digest the next-gen-fueled spectacle, I think it’s time we attempt a more in-depth analysis of it. Rather than speculate on the game’s plot or our collective geek-out over the trailer, let’s investigate the deeper issue of Batman’s characterization in the Arkham video game series.

The nature of any cross-media adaptation is that the end product is an accumulation of traits defined over time. For a property like Batman that has been (re)adapted numerous times since the early 1940s, this basic truth is all but hitting us over the head with an onomatopoeic “BOP!” While similar in some ways, each iteration has been slightly varied, a necessary byproduct to a character that has evolved along with the culture that spawned it.

The Batman featured in the trailer for Arkham Knight is a collection of representations dating back to Tim Burton’s 1989 film version. A voiceover from Bruce Wayne’s late father plays through the majority of the video. I’m intrigued at how many portrayals of Batman still find creative ways to display his eternal struggle with that one, fateful night on which he was robbed of his parents. But his more noticeable traits are the physical ones, and for this, Rocksteady depicts a fully black-armored Batman for the first time in its proposed trilogy of games.

It’s a notable departure from the lightweight, Nolan-esque Batman outfit featured in Warner Bros. Montreal’s Arkham Origins this past year. Though the modified costume lacks the eye-catching yellow emblem (meant to distract thugs with firearms) of its comic book counterpart, it puts our hero in a position to do battle with some of his tougher adversaries. Two-Face and Penguin’s thugs are effortlessly handled in the trailer, and I am anxious to see what other challenges are thrown at this darkly clad Dark Knight.

It looks like transportation won’t be a problem for Batman either. If rumors are true, players will have access to the Batmobile for the first time in the franchise’s history. Most references to Batman’s signature vehicle still lean toward the version driven in the campy 1960s television series starring Adam West. As the Christopher Nolan film series has become an endless source of reference for recent iterations of Batman, the vehicle we see in Arkham Knight is very close to the tank-like “Tumbler” we saw in Batman Begins and The Dark Knight. Apparently, the Batmobile will be the only drivable vehicle in the game. If its usefulness is anything close to what is featured in the trailer, players will have a huge asset at their disposal.

Another mystery of this latest outing is an exact setting. Beginning with Arkham Asylum in 2009, Rocksteady has done a fine job framing the story in a manageable space. The sequel allowed players to explore a limited, walled-in section of Gotham City functioning as a prison. Arkham Knight looks like it may be set in a similar environment, but the aftermath of Arkham City’s conclusion may force the story line to another location. Recent reports state that Gotham has been separated into three islands and will include a space five times larger than Arkham City.

What has most fans talking is the possible identity of Arkham Knight’s main antagonist. Contrary to many fans’ first impressions, the game’s title is not a reference to Batman. Early reports suggested that we may finally see Hush take center stage. After three games of The Joker as a primary villain, Hush would be a welcome change.

I’m surprised at how underused he has become since his 2003 debut in the pages of Batman. In this hugely popular story line, Hush allies himself with just about every rogue in the Batman mythos to give the hero his ultimate physical and mental challenge. His identity is revealed to be Thomas Elliot, a childhood friend of Bruce Wayne who had recently returned to Gotham after a lengthy absence. To make matters worse, Elliot is fully aware of his former friend’s alter ego and uses this knowledge to his advantage.

Though the true mastermind of the overall story line shockingly turns out to be The Riddler, Hush easily steals the show. Future story lines in the Gotham Knights series fleshed out his backstory, and many fans appreciated his role as a sort of anti-Batman, a twisted reflection who actually orchestrated his own parents’ murder. Despite Hush’s positive reception, he was scrapped from appearing in The Batman animated series that ran from 2004 to 2008 on Kids’ WB, instead replaced by Rumor, voiced by Ron Perlman.

It was not until the game Arkham City that Hush made his first real appearance outside of comics. As an added bonus, his voice work was done by Kevin Conroy. It is without a doubt that Conroy’s long tenure voicing Batman allowed him to emphasize the characters’ antithetical relationship. In the game, their shared history is alluded to, but this version of Hush remains unaware that Bruce Wayne and Batman are the same person. It would be phenomenal to see Hush take the spotlight and lead a similar “villains united” campaign against Batman in the upcoming game. Perhaps it is Hush’s voice we hear issuing an ominous warning to Gotham in the trailer’s opening frames?

All of this is, of course, speculation. And though the footage we have so far is quite impressive, I urge viewers to keep in mind that none of it features anything from the actual game, as developers prefer to save that footage for later previews. It’s been intriguing to see the video game trailer evolve into something so theatrical. With visuals this impressive, it’s no wonder Batman’s latest adventure will be released solely for the Xbox One and PlayStation 4 consoles. (Sorry, 360 and PS3 owners: it’s time to upgrade.) Hopefully, Rocksteady’s direct involvement with this sequel will help fans get rid of the sour taste Arkham Origins left in its wake.

Batman: Arkham Knight is slated for an October 2014 release.

tasting

Step-by-step method key to unlocking wine tasting

If you’re like me and want to enjoy wine to its fullest potential, you should probably come up with a consistent way to taste it. Whether you’re opening a bottle at home, trying a flight of wines with friends, or on a wine excursion in California or New York, repeating the same process over and over is the best way to taste and rate wine as objectively as possible. I recommend following six main steps to enhance your wine-tasting experience:

1. The Bottle

First, check out the bottle. Where is it from? Is it a single varietal or a blend? What year (or vintage)? Answers to these types of questions can tell you quite a bit about what to expect from the wine. Single varietals have common characteristics to anticipate, as do blends from distinct regions. And if you can find information about that wine’s specific vintage in that specific region, you can learn even more about what to expect. Hot, dry growing seasons lend to more concentrated flavors, and usually produce more fruit-forward wines. A cool, wet season will yield less fruitiness and more savory, or green (sometimes called “vegetal”), flavors in red wine.

Alternatively, try a blind tasting. Wrap the bottles in brown paper bags or aluminum foil before you pour, and trust your nose and taste buds to guess the type of wine. “This wine is a light-bodied red, has an earthy flavor, and I taste tart cherries … is it Pinot Noir?”

2. The Pour

After you pour some wine in the glass, take note of a few things. First, look at the color. Certain white wines are clearer, like Sauvignon Blanc, while others are usually straw or golden yellow, like Chardonnay. Red wines can be from light red to the darkest purple. As wines age, they take on slightly brown characteristics. As you swirl the wine in the glass, look at the viscosity, or how thick or thin the wine is. You can also examine the “legs” of the wine — the way that the wine runs down the inside of the glass.

3. The Sniff

Now swirl the wine with the glass on a flat surface, and draw it up to your nose. Don’t be timid — stick your nose right into the glass. Sometimes it is useful to close your eyes, to devote your full focus to just the sense of smell. What do you detect? You’re looking for characteristic aromas: floral, fruit, herbal, savory, etc. Write them down.

4. The Taste

Finally! Sip a small amount of wine and swish it around. You want the wine to coat every surface in your mouth. What do you taste? Sometimes wine needs more air. Swirl your glass and try again, or, with wine in your mouth, draw air in through it. You’ll create a soft slurping sound, but this is a great way to incorporate lots of oxygen into the wine and “open it up.”

You’re looking for five key characteristics:

Flavor (Fruit vs. Savory)
These are the most common descriptors of wines. Does the red wine you’re trying taste like red fruits — raspberries and cherries — or dark fruits, like blackberries? With white wine, you’ll find citrus or tropical fruits, along with apples, peaches, and pears. Sometimes, non-fruit flavors can be detected as well, like green pepper, herbs, flowers, minerality, or leather.

Here are some common characteristics of different wine varietals:

Sweetness

How sweet or dry does the wine taste? If it is sweet, you will detect it on the tip of your tongue. Sweeter wines also tend to have greater viscosity, or a slightly syrupy consistency. Dry wines will — surprise — dry out your mouth.

Acidity
You’ll likely detect acidity as a tingling sensation on your tongue. This is especially common in Riesling and Gewürztraminer but can be present in just about any wine. If you find that you like richer, rounder wines, those are typically low in acidity.

Tannin
Tannin is a compound found in the skins of the grapes that adds bitterness to the wine. As a result, tannins are almost always never found in white wines. In reds, you’ll detect tannins as a cottonmouth, puckering sensation with herbal or tea-like flavor, sometimes described as astringent.

Body
Finally, body describes the weight of the wine. Light-bodied wines are easy drinking, refreshing, and may have a lower alcohol content, while full-bodied wines are heavy, powerful, and are usually higher in alcohol.

What did you taste in the wine you are trying? Again, write it down.

5. The Finish

Now swallow the wine (or spit it out, if you’re driving or tasting a lot of wines). Did the flavors change on the finish? Did the taste last long in your mouth, or did it dissipate quickly? What about tannins: Are they soft and subtle? Overpowering? Well-integrated? Write it all down.

6. The Grade

Now it’s time to rate the wine. Did you like it? How does it compare to other wines of the same varietal, region, or price? How does it stack up against your favorite wines?

There are many different ways to grade a wine: letter grades, 10-point scale, 100-point scale, and more. Famed British wine critic Jancis Robinson uses a 20-point system, while Wine Advocate founder Robert Parker advocates the 100-point system. The easiest way to start is with letter grades. Eventually, you’ll find yourself rating many wines with the same letter grades, and you might start to feel comfortable giving them a numeric score to differentiate among them.

For the serious wino, start keeping a record of your tastings. Cellar Tracker is a great website to record all the wines you buy, along with tasting notes, and the mobile app Cor.kz integrates with Cellar Tracker seamlessly.

Usually, I’m tasting one bottle at a time: the bottle that my wife and I open in the evening or for dinner. But it’s a great experience to try multiple bottles in one sitting and compare them. Try three reds or three whites. (If you’re only trying a few, avoid mixing whites and reds, or if you must, drink the whites first.) Try three different reds and compare the differences. Then the next time, try three reds of the same varietal and compare them. Then, if you really want a challenge, get three bottles of the same wine from the same producer, but from different vintages (a “vertical tasting”).

The possibilities are endless, so start tasting right away!

veronica

Get up to speed before Veronica Mars release

A long time ago, we used to be friends …

Nearly 10 years ago, fan*dom was introduced to a spunky, charismatic high school student who spent her free time moonlighting as a private investigator. Veronica Mars is a classic noir detective series featuring a witty female lead with equally smart writing that has developed cult status over the years. Fans of the show, known as “Marshmallows,” remain steadfastly loyal to the cast and series creator Rob Thomas, who has always said he would love to bring the show back in some form following its cancellation after only three seasons.

Prospects for a revival always seemed dim. The show stayed off the air for six years. Then, finally, Kickstarter made a second chance possible.

One year ago today, fan*s all over the world woke up to find Thomas’ announcement of a Kickstarter campaign to bring Veronica Mars to the big screen. The decision to turn to Kickstarter to fund the film was entirely unprecedented — this would be the biggest endeavor of its kind on the crowdfunding site. However, the fan*s were determined to see it happen. Within less than 12 hours of Thomas’ announcement, the entire $2 million goal had been met, and the project would go on to raise over $5.7 million, with more than 91,000 backers, setting several Kickstarter records in the process.

Now, here we are, a year later, and the finished movie will be released in select theaters across the country in just a few hours. If you’re not fortunate enough to have a theater playing the movie near you, it will also be released digitally through iTunes and Amazon as well as via cable on-demand services. This way, everyone in the United States — and in many countries around the world — has the opportunity to see the movie the day it opens in theaters. The best part about this movie is knowing the fan*s made it possible; I myself am one of those 91,000 Kickstarter backers and cannot wait to see the final product.

If you’re anything like me, you had every intention of rewatching all three seasons of Veronica Mars during the run-up to the movie release. Of course, life has gotten in the way and derailed those plans somewhere in the middle of season 3. In case you need a refresher, fear not! Here is a quick summary of each season, plus a selection of the most relevant episodes to rewatch if you have some time before seeing the movie.

Season 1

The series started nearly a year after the murder of Veronica’s best friend, Lily. Before Lily’s death, Veronica had everything going for her: she was in her school’s popular clique, the “09ers”; she was dating Lily’s brother, Duncan; and her father was the sheriff. When the show begins, nearly a year has passed, and Veronica is now an outsider with no friends. Duncan had broken up with her shortly before Lily’s death and still does not speak to her. Sheriff Mars tried to pin the murder on Lily’s father and lost his job. Veronica was date-raped at a party. Veronica meets Wallace, the new kid at school, and they form a friendship and partnership as Veronica begins to slowly uncover clues to Lily’s murder, as well as her own rape.

Episodes to watch:

Episode 1: “Pilot” — Remind yourself where it all began by watching the pilot episode. Of course, you will probably end up falling in love with the show all over again and want to just keep watching everything from that point on.

Episode 18: “Weapons of Class Destruction” — This one isn’t really central to the overall arc of the season, but this was the episode where the romance between Veronica and “bad boy” Logan, or LoVe, began. There isn’t a single LoVe shipper out there who isn’t hoping they finally get their happily ever after in the movie. Plus, this episode brings us JTT with a mullet.

Episode 21: “A Trip to the Dentist” — After discovering the drugs used on her the night she was raped came from a source she least expected, Veronica becomes determined to find out what really happened — with unexpected results.

Episode 22: “Leave it to Beaver” — In the season finale, Veronica finally learns the truth about Lily’s murder. What I love most about this series is all the twists and turns and how I couldn’t predict any of the revelations that occurred in this episode.

Season 2

The second season’s mystery involves the crash of a bus full of students, including the sole survivor, Meg. Veronica becomes obsessed with solving the case, as she initially believes she may have been the target. Lily’s alleged murderer faces charges and the trial impacts Logan and Veronica. Logan finds himself framed for murder and enlists the help of Veronica and even his rival, Weevil, to help prove his innocence.

Episode 1: “Normal is the Watchword” — The season 2 premiere answers the question fan*s were pondering all summer: Who was at the door? It also fills in the gaps between the finale and the premiere, which takes place at the start of a new school year. This episode is frustrates shippers, because it is not revealed until the very end if Veronica has chosen Logan or Duncan.

Episode 11: “Donut Run” — In order to protect Meg’s (and his) baby, Duncan disappears with his daughter. This episode was an example of great storytelling as the viewer realizes halfway through they’ve been fooled along with nearly everyone else in the series.

Episode 16: “Rapes of Graff” — This episode doesn’t have much to do with the season arc, but it sets up one of the main plot lines for season 3. While visiting local Hearst College for a weekend, Veronica gets involved in a rape investigation. As an added bonus, Arrested Development‘s Michael Cera and Alia Shawkat both guest-star.

Episode 21: “Happy Go Lucky” — After nearly two full seasons, we finally get some closure in the case of Lily’s murder when Veronica, her father, and Logan testify at the trial. The last few minutes of this episode took me completely by surprise, but there was definite closure for more than one story line.

Episode 22: “Not Pictured” — The identity of the person responsible for the bus crash is revealed, and it’s someone I didn’t even have on my suspect list. Not only that, but we also get a shocking reveal about Veronica’s rape that I’m pretty sure no one saw coming. This episode was one big emotional roller coaster ride, but so well done.

If you have extra time: Watch episode 20, “Look Who’s Stalking,” if for nothing else than to see Logan’s confession to Veronica. His brief monologue in that scene is “epic.”

Season 3

With the launch of The CW, Season 3 gets a slightly more polished look and new opening credits. Veronica begins her first semester at Hearst College and revisits the Hearst rapist case first introduced the previous year. This season also takes a different approach to the overall season arc, as the season is essentially split in two. One case is solved halfway through the season, while a new case is introduced at the same time. LoVe shippers are finally allowed to see what a real relationship between Logan and Veronica is like, while Veronica’s friend Mac and Logan’s friend Dick both deal with the repercussions of the second season finale.

Episode 1: “Welcome Wagon” — In the season premiere, we’re introduced to Wallace’s new roommate, the adorable “Piz,” who almost immediately develops a crush on Veronica. We also learn the campus rapist is still at work, setting up the first arc of the season. This time, Veronica feels responsible; she discovers she was in the room with the rapist and his victim without realizing it.

Episode 6: “Hi, Infidelity” — Mac’s roommate, Parker, recognizes the cologne of her rapist on Mercer, a friend of Logan’s. When the police arrest Mercer, Logan asks Veronica to help clear him. Veronica also investigates why her she was accused of plagiarism and learns her professor, Dr. Landry, is hiding a secret.

Episode 9: “Spit & Eggs” — Veronica solves the Hearst rapist case and finds herself in danger. The Dean learns his wife is having an affair and we are introduced to the case that will drive the second half of the season. The identity of the rapist wasn’t too much of a surprise after episode 6, but there was still an interesting twist in the reveal.

Episodes 19-20: “Weevils Wobble But They Don’t Go Down” and “The Bitch is Back” — The two-part series finale is required viewing before seeing the new movie. In fact, if you only have time for a few episodes, I would skip right to the end of this season and watch these two. At least then you’ll be reminded where everything ended — and what little resolution there was to be had.

Bonus: In a last ditch effort to get CW executives to renew the series, Thomas put together a 12-minute mini-pilot featuring Veronica as a new FBI agent. The sequence was then included in the third season DVD set. Since Veronica is a lawyer in the movie, it’s unlikely any of this material has been incorporated into the canon, but it’s fun to watch, and Justified fans will recognize Walton Goggins as Veronica’s FBI boss.

Never seen Veronica Mars?

No worries. The first couple minutes of the film have already been released online, and they involve a nicely edited clip show with one of Veronica’s familiar voice-overs, hitting all the necessary highlights of the series. I’m sure you can come into this without having seen any of the series and still follow what’s happening.

But if you have time this afternoon and want to catch a few episodes before you see the movie, the first and last episode of all three seasons will likely give you most of the information you need. Everything in between is just icing on the cake.

Beyond the Movie

After waiting seven years for Veronica to return, the best news is the fact that the movie isn’t the end of the journey, but the beginning of a new one. Thomas has already announced the first of several Veronica Mars novels which will take place after the movie ends.

So don’t worry, Marshmallows! There’s plenty more Veronica to come, and you won’t have to wait seven more years to enjoy it.

draper

Suited gentlemen keep it square

Don Draper is a pre-modern urban gentleman. Some of his values would not measure up to today’s standards, and his suits fit him in a hybrid 1960s/2010s kind of way, but he has the clothing and swagger of a gentleman of the time. In fact, his style has been a heavy influence on men’s fashion over the past seven years, even inspiring a recurring collection at Banana Republic.

There is one very subtle detail the modern urban gentleman can and should purloin from Mr. Draper for very little cost indeed: the pocket square.

The pocket square is an all-too-often forgotten accessory to the gentleman’s suit. Many men do not even realize the suit jacket pocket is a pocket; the suit is most often sold with the pocket sewn shut, and it is up to the consumer to take a seam ripper to it. And just like pants with belt loops require a belt, a suit jacket pocket dictates a pocket square.

(Another item to correct for the record right from the start: a pocket square and a handkerchief are not the same thing. The gentleman generally keeps his bodily fluids to himself.)

Much like the necktie, the pocket square is an outlet for personal creativity. That doesn’t mean it comes without guidelines, however. Always remember that each style choice is an extension of the image the wearer wishes to project at that moment in time. That image is reflected in the color, pattern, fold, reveal, and fabric of the pocket square.

Color and pattern

The newly minted gentleman may hear a play-it-safe “rule of thumb”: match the pocket square to the tie. Yes, but no. To match is not to duplicate. The local department store sells a downright atrocity, the tie and pocket square set, that more often than not pushes two lackluster items cut from the same cloth. Just as you wouldn’t wear a denim shirt with jeans of the same wash, this is not what is meant by “matching.” It looks bad even on Beckham.

To match, instead, means to complement. The Modern Urban Gentleman often bases the primary color of his pocket square not on the primary color of the tie, but of the shirt, and matches the accent color of the square to the tie (example 1; example 2ish).

The same don’t-duplicate rule applies to the pattern. Pair a solid tie with a paisley square, or even microdots with polkas. Keep in mind that the shirt color and pattern also factor into the equation. Balance the conservatism of one or two with the flair of the other: If the shirt is a 2 on the flashiness scale and the tie is a 3, the square can be a 7. Don’t be boring, but don’t overwhelm with a mishmash of hues and designs.

Also match the square to the setting. As mentioned above, style is a projection of self. If the gentleman is attending an event where he shan’t speak above a whisper, his clothes should match that volume. Going to the opening of a modern art gallery? Indulge your wildest Etsy fantasies.

The fold

The setting also determines the way a gentleman folds his pocket square. There are any number of online tutorials that teach how to complete any of the many fold options. Explore and learn.

The most conservative and traditional way to fold a pocket square is the Draper-style square fold. The style reflects Draper’s staid manner, and will communicate the same message for any gentleman. Some even place an index card inside the square to give it a crisp, fastidious shape. This fold is a safe bet for a job interview or any other meeting of gravity.

Another traditional fold is favored by Roger Sterling: a square with two, three, even four peaks. Much like Sterling himself, the peaked fold is ostentatious, even a bit affected, and is not endorsed by the Modern Urban Gentleman.

A third option is a modified square fold — a devil-may-care, purposefully messy, but smart-looking choice. Follow the same folding rules as for the crisp square, but intentionally leave the corners and sides uneven to project the same rough-hewn attitude. This fold works best for a heavier material with some texture. The modified square is the Modern Urban Gentleman’s staple fold.

The “puff” fold is also casual, yet more traditional than the modified square. It’s a favorite of Prince Charles, as well as magicians the world over. Lay the pocket square flat, gather fabric from the middle in one hand, and with the other hand, twist and flip the rest of the square up behind the puff. The puff fold looks great in a New Year’s Eve tuxedo and is perfect for laid-back parties. Just be careful to avoid falling into clown territory.

Final details

Once the pocket square is folded, the gentleman must find the right amount of “reveal.” Draper allows the slightest sliver of square to peek above his pocket. The Modern Urban Gentleman advocates about a half an inch in business settings, and up to two inches as the sun sets.

A note on fabric: silk is, as with neckties, the most common fabric of a pocket square. It is also the most formal and should be the exclusive choice of the gentleman in a tuxedo. Linen and cotton pocket squares are also available and are acceptable in less formal situations, so long as they are clearly distinguishable from a handkerchief.

Just five years ago, pocket squares were nigh impossible to find in a store. Thankfully, the tide has shifted. Choose wisely and economically: unlike a suit or even some neckties, a pocket square is not a long-term investment — though it should last quite some time. Spend no more than $40, such as on this Paul Stuart tipped cotton, which will contrast nicely on a dark suit. For the bulk of the gentleman’s pocket square collection, the Modern Urban Gentleman again refers readers to The Knottery ($6 to $18) and The Tie Bar (most $8 to $10).

The key to the pocket square is to hit the right note for the setting. The Modern Urban Gentleman is a member of a martial arts association. One of the senior members of the organization subtly projects his elan in the way he wears his pocket square: Before training, when the situation calls for seriousness and focus, the man arrives with a crisply folded square cloth in his jacket pocket; as he walks out the door at the end of the day, ready to enjoy steak, Scotch, and fellowship, his pocket square is an elegant puff of confidence.

Gentlemen: emulate this man.

woman-hammer

Old-school feminism still needed to this day

I have spent my first few columns talking about unconventional ways of being a feminist: I’ve argued that a feminist doesn’t have to be a man-hater. I advocated for equal treatment of the sexes in professional wrestling. I defended the practice of critiquing Oscars fashion. But sometimes, reality slaps us in the face with some good, old-fashioned sexism, forcing feminists back to basics.

During discussions with friends and coworkers about feminism, I often run into the sentiment that feminism isn’t really needed anymore. Women are a protected class in employment, and basic rights, like voting, are guaranteed. We are free to pursue a career or to stay at home as we see fit. Even barriers in the most male-dominated walks of life, including the military, are falling.

All of this is true and good, but each of these protections is merely a legal designation. The law does not dictate attitudes or the day-to-day treatment of women. Discrimination based on sex still exists today. For most women, overt discrimination is not a daily problem. Sometimes, I go months without facing it. But when it does happen, it stings like a slap in the face.

One of the many hats I wear is as an employee in the retail shop at a sports recreation venue. In addition to selling merchandise, the store also functions as our pro shop, so I have been trained to assess equipment to determine what repair or service they may need. I have received the same training as my male colleagues, and science has yet to find compelling evidence to suggest that my physiology has any effect on my ability to examine sports equipment. Nonetheless, over the past weekend, I endured two different instances in which I was put down simply for being a woman.

Several days ago, a man who I estimate was in his late 60s or early 70s came into the shop to have his equipment serviced. He stated that he wasn’t sure what kind of service they required. I looked them over and recommended a specific type of tuning. He looked at me and said, “I would appreciate if you would go get one of the guys from the back to look at them.” I smiled, gritted my teeth, and ventured into the back of the shop looking for the male technician on duty. He looked over the equipment and recommended the exact same service I did.

To say I was furious would have been an understatement. To make matters worse, I was simply told that the industry was a “boys’ club” and I’d just have to get used to it. I’m sorry, but no, I don’t have to get used to it. There is no reason why I, or anyone, should be a victim of discrimination because someone else is trapped by ignorant thinking.

Not 24 hours later, I was on duty again. Another man, this one seeming to be in his early 50s, was having trouble with his footwear. I was working on them with some tools I had been trained to use, and he stated that, as a machinist by trade, he was uncomfortable with a female using tools on his equipment.

At this point, I was literally speechless. I had no words to either defend myself or chastise him. I finished what I was doing, and he insisted that something still wasn’t quite right. I summoned the male technician again; he took the footwear apart and put it back together. Magically, the customer found the problem had been solved. After the man left, I asked the technician if he had done anything different then I had. He informed me he had not.

The message here was loud and clear: you are a female; therefore, you are incapable of this.

No laws were violated in these cases, but that does not mean I was not discriminated against. I was belittled and dismissed for no reason other than being female. This is why we still need individuals, both female and male, to stand up and say, “Yes, I am a feminist, and actions like this are offensive.”

The topic of gender roles is a deep, deep well. We can debate the value of the yin and the yang in two-parent households on another day. But we should all be able to concede some simple points about the absurdity of some “traditional” perspectives about what men and women cannot do.

Maybe I don’t have the same physical strength to drive a sledgehammer as my husband or my father does. But the fine motor skills, like tuning and tapping, that I employ in my job? We know that a woman’s ability to operate basic hand tools like a screwdriver or a hammer has little to do with our double-X chromosomes. More to the point, there are men in this world who wouldn’t even know which end of the hammer to hold, so to assume that men are automatically better at mechanical things is just plain silly.

There are certain skills that both men and women would find useful to make it through a lifetime: knowing how to swing a hammer is one, doing a load of laundry properly is another. Neither of these skills should be exclusive to sex, and yet somehow, even in 2014, they are inextricably linked by some.

I came home after these two instances and relayed the stories to my husband. Being the modern urban gentleman that he is, he was appalled that people not only still thought this way, but that they weren’t even embarrassed to display such discrimination in public. Unfortunately, even the most dedicated male feminists will never face this issue in the way a female will. The burden falls on women to fight this backward and offensive way of thinking. And that’s why old-school, girl-power feminism is still relevant today.

wineclip

What I’m Pouring: March 11, 2014

Man Vintner Shiraz (South Africa): Dark reddish purple, fruit forward but not as jammy as Australian Shiraz; black cherry, blackberry, spice, pepper. $10  B
2012 Woop Woop Shiraz (South Australia): Lush and opulent, very fruit-forward, jammy, blueberry/blackberry flavors, fall spices, tar, plum, licorice, smooth tannins, great value. $11  A-
2011 Fournier “Urban Uco” Torrontes (Argentina): Pale yellow straw color, perfume aromas like Gewürztraminer; layers of melon, grapefruit, pineapple, hint of ginger. $13  A-
2012 Hermann J. Wiemer Dry Riesling (Finger Lakes): Lime and floral notes on the palate, with beautiful citrus and minerality on the palate and a long finish. $18  A
2012 Dopff and Irion Crustaces (Alsace): Pale color, easy-going and refreshing; tart lemony citrus, pear, crisp acidity and minerality. Great paired with shellfish (or popcorn!) $9  B+
journal

Is your daylight safe? Time stops for fun, profit

For many of us, daylight saving time has been the norm throughout our whole lives. Spring forward, fall back. A bedrock of how the world conducts its business. In actuality, though, the practice is a recent phenomenon and something of a contentious issue. While there’s little in the way of scientific consensus, several studies show deleterious effects on health and well-being to counteract the gains in retail revenues that come from sliding our schedules twice a year.

First, a bit of background. An hour hasn’t always been an hour. The ancient sundial, for instance, marked time by the passage of the sun, and therefore, the shadows on its face. In the winter, hours were shorter than in summer (an effect which grew more pronounced with increased latitude). Each day had 12 hours, and each night — regardless of which was objectively longer. As clocks became more precise, able to separate hours into equivalent units, midnight and high noon were used as the stable benchmarks, as they consistently happened 12 real hours apart.

Until the industrial revolution(s) around the start of the 20th century, most of the world’s economies were primarily agrarian. Farmers didn’t care what numbers heralded dawn or dusk at any given point in the year; they set their schedule based on the sun. Life was more lax and less regulated. With the introduction of railroads and communication networks, though, timekeeping became something important. Business matters had to be conducted at precise intervals. Shop hours needed to be set and kept. Trains had to leave when they left and arrive when they arrived.

Benjamin Franklin wrote a satirical essay in Paris suggesting that people should wake with the dawn year round to save candles. While the essay offered outlandish ideas such as rationing candles and waking the public at sunrise with cannon fire, the merit of capitalizing on sunshine probably seeped through to modern times in some part from him.

The first individuals to propose a shift in official time for mass use were George Vernon Hudson, an entomologist from New Zealand who wanted more daylight hours to capture bugs, when he published his paper on the subject in 1895, and Londoner William Willett in 1905, who liked to play golf as late as possible. It wasn’t until 1916 in Germany when the idea was made into law, and apart from use during the two world wars in an effort to capitalize on daylight, the United States didn’t make use of daylight saving until the energy crisis of the 1970s.

While Germany was the first state effort to rename the hours of the day, a few myths deal with keeping the sun overhead for longer than normal. In the Old Testament book of Joshua, for instance, the title character takes his Israelite armies on a whirlwind tour of genocide through the lands of Canaan at the behest of Abraham’s God. The residents of one city-state, Gibeon, meet with Joshua under the guise of people from a far-off land, so, you know, they don’t all get murdered out of hand before a bargain is reached. Joshua agrees to ally with them at this meeting, so when he later discovers that, psych!, they’re Canaanites after all, he can’t murder them because he gave them his word he wouldn’t. He just presses them all into slavery instead.

Anyway, a few nearby cities decide that, even if they can’t take on the Israelite army, they’ll pound Gibeon into the ground for making an alliance with the genocidal foreigners, and they march to the attack. Joshua shows up and lays into them, however, and God actually causes the sun to stop moving overhead so the Israelites have more time in the day to beat on the Canaanites. Gotta be thorough about these things.

Another instance of sun-stopping occurs on a bit larger scale. The Celtic god Dagda (Proto-Celtic for “good god,” and perhaps contributes to the Old English dæg, source of “day”) decides to have an affair with the goddess Boann (Old Irish for “white cow,” in the best possible way, I’m sure; shares a root with the word “bovine”), and she gets knocked up. Well, rather than admit what happened or try to be a cuckold, Dagda stops the sun for a whopping nine months, allowing the child to be carried to term in one day. I’m not sure how nobody noticed that such a long freakin’ time had passed at some point, but hey, simpler times, right?

The child, Aengus (Proto-Celtic oino-guss, meaning “one choice”) played his own lingual trick on his old man. When Dagda parceled out his lands among his children, Aengus was away, so he got left out. When he came back, the clever and tricky deity Lugh told Aengus he should ask his father if he could live at Dagda’s own home for láa ogus oidhche, which ambiguously can mean either “a night and a day,” or “night and day.” The latter interpretation was a folksy way of saying “always,” so when Dagda agreed to the terms, Aengus claimed the ancestral homeland for himself, permanently.

So after all that, my question is, if we can just shove time around as we please to take advantage of daylight hours, why can’t we set the clocks way forward in the summer time, say two weeks or so. We don’t need those weeks in March. Who cares about March, anyway? Then shunt them onto the end of November for a nice, end-of-the-year vacation. Who’s with me?

elevator

Colonizing space … the inevitable frontier

In recognition of tonight’s premiere of Cosmos: A Spacetime Odyssey, Curiata.com presents this look at the potential for — and possible necessity of — space colonization.

Space colonization has long been a dream for scientists and fiction writers alike. Despite this dream, space colonization seems no closer to realization today than it was in 1969. With population and pollution rising across the globe, the time has come to seriously consider development of space colonization programs. Although some of the technology is still a few years away, with proper funding, space colonization can be achieved during our lives.

Humanity is developing at an ever accelerating pace. Only 100 years ago, radio was a completely novel innovation with unknown potential. Just 20 years ago, cell phones were an extreme luxury, and the World Wide Web was just beginning to enter into public consciousness. Yet today, most of us have cell phones which can access the Internet at blindingly fast speeds.

Our quick expansion and development has undoubtedly caused growing pains, some of which, particularly climate change, could stop our development cold, even causing our own extinction. While we certainly need to address these problems on our own planet immediately, we should also look to space for some answers. Uninterrupted solar energy, population diffusion, and resources attainable from near-Earth objects, are just some of the benefits we would gain from expanding into space.

Population projections by the United Nations expect humanity to increase by 50 percent in the next 60 years. The assumption after 2075 is that population growth will level off. This, however, ignores some unexpected developments in the world of science.

Many scientists are beginning to see death as not necessarily inevitable. Google recently announced the creation of a new company, Calico, whose goal is to defeat death, or at least slow it down. Calico and scientists across the globe will continue looking into lab-grown organs and reverse-aging techniques by studying the so-called immortal jellyfish.

These studies offer great hope to those of us who don’t want to die, but they raise an important question about the Earth’s capacity. If natural death is no longer a factor, adverse population trends are virtually impossible. That potential reality shatters all prior population trends and can put us in danger of overpopulation much sooner than expected.

If Google is able to defeat degenerative diseases, and if scientists master laboratory organ growth, the human population will explode, exacerbating pollution, climate change, scarcity, and all the other problems associated with overpopulation. But if humanity has the capacity to conquer death, then surely it cannot be too difficult to make substantial progress in our space programs. This is not science fiction anymore. Advanced space programs of exploration and colonization are an evolutionary necessity.

Then the question must be raised: where should humanity begin this endeavor? The first step is already being planned by a company in Japan, which hopes to have a space elevator running by 2050. A space elevator would provide cheap cargo shipment into space for building projects, while beginning the early steps of moving humans into orbit in a cost-effective manner. Space elevators, however, require a material both strong and light. While carbon nanotubes and boron nitride nanotubes are thought to have potential, they are not yet financially viable.

The International Space Elevator Consortium is asking the public to discover the ideal material for a space elevator. Designers of materials meeting certain strength requirements will receive cash payouts upwards of $1 million. Once discovered, the tether material will be attached to a conventional rocket and lifted into space. From there, the counterweight and tether will be assembled. The counterweight will enter geosynchronous orbit, where the tether will be released to lower itself to the ground station on Earth. The tether can then be upgraded as necessary to carry increasingly larger loads.

Following the elevator’s completion, carts carrying the cargo can be added and fitted with solar panels to allow them to run continuously and cleanly for days at a time. The counterweight and other parts of the elevator may also be fitted with solar panels to provide the Earth and all its nations with clean, nearly infinite, power for generations. The lowered cost of space shipment would even allow industries to expand into space and begin looking into orbital colonization and beyond.

Orbital space stations are a strong next step in the expansion of the human race, but the goal should undoubtedly be to settle on a new planet. Interestingly, several private companies are already looking ahead with plans for permanently colonizing Mars within the next two decades.

Assuming the success of these ventures, their societies are expected to start small, with only a handful of people landing on the Red Planet every few years. Eventually, a next step should be made in creating a large, self-sustaining colony. A biodome, consisting of many layers of transparent materials to block solar radiation and fend off the Martian sandstorms, would create an environment habitable for plants and animals. As these settlements become stronger, the next step should be undertaken, one which will be even more daring and seemingly impossible.

The final step in this cosmic Manifest Destiny imposed by human ingenuity is to pass the vast distance between star systems and create permanent settlements on extrasolar planets. The distances between star systems are incredibly great, some measuring in the hundreds of thousands of light-years from the Earth.

Overcoming this daunting matter is possible according to the theory of relativity. In this theory, Albert Einstein stated that as an object travels close to the speed of light, it will appear to travel through time more slowly than any stationary or slower moving object. This means that interstellar travel is possible within a typical human lifetime.

A matter-antimatter engine may be the ticket to achieving this seemingly impossible accomplishment. When matter and antimatter collide, they annihilate each other completely and produce nearly pure energy output. With almost 100 percent efficiency, the speed of light is within reach.

There is no doubt that space colonization will one day be a necessity. The technology is only a few research grants and hypotheses away. With the right funding, where we go is only limited by the daring of scientists to push the envelope and expand our horizons.

One day, there may be colonies throughout the galaxy, and even the universe, built by human pioneers, keeping the human race alive beyond our mother Earth.

Kevin Hillman contributed to this story.